Slow photography of the past
in the present
Daniel Krasner

In an era of rapid-fire visual content, where even YouTube videos are considered too lengthy for many viewers, it is refreshing to encounter a creator for whom slowing things down lies at the core of his craft.
In Decisions and Revisions, Daniel Krasner is in no hurry. He takes his time, using techniques and methods from the earliest days of photography. He captures these images while roaming around the French countryside with a large format camera, heavy glass plates, and a portable darkroom which doubles as a chemical lab.

“The photographs you see here are hand-made. Glass is cut and deburred, watercolor art paper is sized, dried and hardened. Chemistry is mixed, emulsions are poured and dried. Negative plates are sensitized, developed, fixed, re-developed, varnished, printed, calibrated, wiped clean, reprinted, and so on. Somewhere along the line an image emerges –and if you are lucky, so does meaning. This show is about taking time. Not the kind of time you can take by clearing your calendar or calling in sick, but the kind of time in between all of that. The kind of time that only happens when all of that is gone and you are on to something else, you are somewhere else. In the antic hay that is the world of today, these images and their process are the long-arc lapse that allows me to see it for what it is, the sense and beauty of it all.”
At the end of the process, we are confronted with truly lasting, high quality contemporary images containing tremendous detail and reminiscent of another era. It is apparent in these images that the final result of the painstaking effort has paid off.

Within the gallery, the images are accompanied by the sounds of antique metronomes (a favorite theme of the artist) and visuals of slide projectors. The projected images document the elaborate photographic process. As the mechanical sounds underscore the passage of time, viewers are invited to linger and absorb the intricate details woven into each frame. To the rhythmic backdrop of the whirring slide projectors and ticking metronomes, the monochrome images stand frozen. In an era of split-second visual bombardment, this stillness creates an ironic contrast, offering the spectator a rare opportunity to appreciate the time and space inherent in the photography of the past. This motion and stasis creates a multi-sensory experience that opens a new perspective on the relationship between imagery and time.

Formally trained as a mathematician, Daniel Krasner has been working on human interaction with technology since 2011. How we perceive and ultimately shape the world around us through language, writing, science, art and related technologies has been a continual focus in his work. Beginning with medium format gelatin silver film in 2010, the process has progressed toward an ever slower and meticulous approach to making images – ultra large format cameras, alternative processes, handmade negatives and print emulsions, with a focus on both quality and archival stability.
The desire to make photographs that will stand the test of time has brought Daniel to the carbon transfer process, arguably the most archival and tonally rich type of prints made to date. Between the original exposure and the impression that is conjured in the mind lie the weeks and sometimes months required to turn these truly handmade images into the final artifact you see.

“Decisions and Revisions” will run at La Nave Art Lab, 620 N Hoover Street Los Angeles, CA 9004 from September 28 – December 31, 2024




620 N. Hoover St. Los Angeles, CA 90004 +1 (323) 599-0255 info@lanaveartlab.com